11-20-2022, 06:12 PM
The form on the other hand was used with its most obvious external elements and was very often turned into a decorative game with intellectual support. And the content instead of moving into the dark and ambiguous spaces where it was born was also brought to the surface to recommend a thematic underlining according to the form thus turning into an intellectual slogan or subtitle of a work which should normally maintain the its underground anonymity. Form was deified as an agent of abstraction or condemned through its excess and the word formalism became an expletive.
The content was praised as an expression of sensibility or blamed as an extraartistic charge and an emotional undoing of the abstract element of the form. From the s on the attempt to popularize the artistic phenomenon dominated which both e-commerce photo editing favored and exacerbated these distortions. Let this observation not be characterized as artistic snobbery. Better to see it as a minor rebuke to the general tendency to create a broad and uniform market through the allpowerful mediaocracy a neologism that by ironic coincidence refers through its Latin root to both Media and mediocrity.
The approach to art however beyond the knowledge it presupposes requires on the part of the receiver a strong desire to communicate and at the same time an acceptance of its mysteries and the difficult albeit charming paths to enjoy them without exposing them. However widespread popularization combined with of the time measures success by reaching the largest possible audience. The codes of reading art therefore in order to reach this public had to be transformed from abstract or technical requiring education intuition and above all acceptance of doubt to concrete measurable and articulate which simply exploit the diffuse common places.
The content was praised as an expression of sensibility or blamed as an extraartistic charge and an emotional undoing of the abstract element of the form. From the s on the attempt to popularize the artistic phenomenon dominated which both e-commerce photo editing favored and exacerbated these distortions. Let this observation not be characterized as artistic snobbery. Better to see it as a minor rebuke to the general tendency to create a broad and uniform market through the allpowerful mediaocracy a neologism that by ironic coincidence refers through its Latin root to both Media and mediocrity.
The approach to art however beyond the knowledge it presupposes requires on the part of the receiver a strong desire to communicate and at the same time an acceptance of its mysteries and the difficult albeit charming paths to enjoy them without exposing them. However widespread popularization combined with of the time measures success by reaching the largest possible audience. The codes of reading art therefore in order to reach this public had to be transformed from abstract or technical requiring education intuition and above all acceptance of doubt to concrete measurable and articulate which simply exploit the diffuse common places.